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The only advantage I can see to placing a title track in the title channel is that it automatically applies fade in/out. It should be in a video track above the one you want it to overlay. It's probably a setting somewhere that's not being triggered. My titles all overlay in either the title track or a video track.
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I haven't figured out a way to create SbS Full or T/B Full 3D files in Edius. The half resolution format throws away half of the vertical or horizontal resolution. Here's, a screenshot of that control box:Ĭlick to expand.Vegas gives you the ability to create single file videos that have full resolution stacked left/right frames that other programs can interpret as 3D (like PowerDirector). This is one aspect of Edius interface that really needs to be simplified. But that's the only way to activate those channels so they will render. You need to configure this for your preset by going into your system settings, then applications, then project settings and set this up both in number of channels and mapping it. He was a great help-as always- informing me that for those channels to render, you have to do it in your original project presets- including mapping- and not after the fact. Finally, I sent out a call for help to brother Joe, who I know is doing 5.1 channels in his garden project. Baffled I was No matter what I did in those damn project settings that you can adjust after the fact, same result. However, when rendered, it was 2 channels and one of them was the center and the other the left. When I dropped it on the timeline in those audio tracks, all channels played just fine on the timeline. Last week, on that butterfly project, I wanted to use a 5.1 channel sound mix that I did in Audio Director. Interlacing creates all sorts of issues that have to be resolved.Ĭlick to expand.Sounds like you're about a week behind me on wrestling with this issue. Now, if we're talking about a progressive project, there's a lot more to recommend the Edius/PD workflow. They're 2D menus, but that's not too much of a limitation, especially compared to the hoops you have to jump through with PD. Vegas produces the Blu-ray 3D disc at 1080/24p from these assets, with 5.1 LPCM audio, and DVD Architect creates the menus. I export the video as an HQX 10-bit interlaced dual stream file and the audio as uncompressed 5.1 wav. True multi-channel mixing for surround is something you can't do in Edius, but the limited surround "mixing" that I do for my projects works very well. Going from Edius to Vegas with 5.1 uncompressed audio if very simple, at least within the limited "mixing" capabilities of Edius. They'll include Edius/PD and Edius/Vegas/DVD Architect. I'm going to be putting together some detailed workflow tutorials based on our recent tests. It's very smooth, and quality is maintained just about as well as can be expected with the 25 mbps bitrate. And despite the fact that Barry and I have been testing (with some pretty good results) Edius/PD de-interlacing, Vegas still gives me the best results when it comes to de-interlacing JVC TD1 footage and converting it from 60i to 24p for Blu-ray 3D production. As great as my hopes are for the Edius/PowerDirector workflow, the Edius/Vegas workflow is rock solid. sarvesh0417.I'm rendering the latest version of my Garden video now in Vegas.
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